For our first assignment in Animation Principles, we have to
create two pieces of experimental animation, the first is 30 seconds long set
to one of five pieces of music, and the other is a 10 second long E4 sting for
the TV channel, both of which produced using similar techniques. I will produce
both pieces of animation at 25 fps as this is the UK TV standard which is
necessary for E4, however I will shoot it on two’s effectively halving the
amount of images I will have to produce as each image will be held for two
frames.
For my 30 second piece I have chosen track 4 Mind Control as
this piece it what gave me the most inspiration. The piece starts off saying “Take
a look at the world around you,” which in turn made me think of a camera
panning and seeing all around you, because of this I started to look at
different kinds of backgrounds. Traditionally backgrounds are painted on white,
and darker areas are simply achieved with dark paints, however for Batman: The
Animated Series, show creator Erik Radomski came up with the idea of painting
light colours on black paper to give the show its overall darker mood. I
thought this would be a good technique to try out, and but rather than having
heavily detailed static backgrounds, I would go for a more simplistic look and
have the backgrounds move. The actual music itself has quite a fast tempo which
is why I want the backgrounds to move, as well as being ideal for an
experimental animation, as I don’t want to plan out the entire animation, but
rather allow myself to be spontaneous and let the actions change as I animate
it straight ahead.
I know that I want my animation to start with the buildings
being drawn so I will take pictures of the background being drawn as I go along
so that when they are played back, the buildings will seem to grow on the
paper. I will then have a character walking down the road and zoom in on his
face as we see the world around him. The character in my animation will be very
blocky and be completely in black and white. In keeping with the backgrounds,
the world of my animation will be very dark and set at night, so the character
will only be half in light and half in shadow, with additional animation coming
from the shadows he casts. It will all be kept very sketchy as I like the
quality of a sketchy line, as when I draw I sometimes prefer the drawing with
all the guidelines on them rather than in the finished cleaned up colour. A
particular piece of animation that showcases sketchy quality well is that of
Glen Keane’s Duet, which is also experimental for its interactive software. The
character will then proceed to bounce around the page in a similar way to comic
book characters, very bouncy but keeping the lines nice and loose.
For my E4 sting I am going to use the same technique, but rather than using mainly white on black, this will mainly be purple on black to match the E4 logo. The logo will be the feature of the animation rather than the person and I am planning on animating it much like a bouncy ball featuring a heavy use of squash and stretch. Preliminarily I will be using the rock track provided, however I may change my mind between animating the first piece and this one.
For my E4 sting I am going to use the same technique, but rather than using mainly white on black, this will mainly be purple on black to match the E4 logo. The logo will be the feature of the animation rather than the person and I am planning on animating it much like a bouncy ball featuring a heavy use of squash and stretch. Preliminarily I will be using the rock track provided, however I may change my mind between animating the first piece and this one.
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